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Fantastic Negrito

Fantastic Negrito

Michael Winger

News
Profiles In Advocacy: Fantastic Negrito profiles-in-advocacy-fantastic-negrito-making-music-precious-sacred-doors-avenues

Profiles In Advocacy: Fantastic Negrito On Making Music's "Most Precious Sacred Doors & Avenues Liberated, Equitable & Attainable"

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The Recording Academy has asked our members to reflect on their path of becoming an advocate for music and discuss the importance of using your voice to create change
Advocacy
Jul 22, 2021 - 1:02 pm

The Recording Academy has asked our members to reflect on their path of becoming an advocate for music and discuss the importance of using your voice to create change. This "Profile in Advocacy" is from Fantastic Negrito, who recently took home the 2021 GRAMMY for Best Contemporary Blues Album. In 2018, Fantastic Negrito joined the Recording Academy in Washington, D.C. as an artist activist during GRAMMYs on the Hill, which helped pave the way for the passage of the Music Modernization Act that year. 

In this essay, the artist born Xavier Amin Dphrepaulezz delves into his feelings on the power of music and the invisible forces that brought him to the Advocacy community.

How can we change the world through music? How can we, as artists, make our voice count? How can we help represent the people of the world that have no voice? These are the questions that I ask myself every time I begin the journey of creating an album. I do not consider my albums just music, but I consider them very important stories. I consider them social commentary.

I do believe that perhaps before the earliest human beings had the ability to communicate with words they communicated with sound. The sound of love, the sound of pain, the sound of happiness, the sound of discontent. What do the deepest caverns of sorrow sound like? What are the sounds and expressions that heal these wounds? 

I am a child of this. I am a descendant of this. I am a result of this. Inspired melodies, beats, rhythm and rhymes transcend all boundaries in the world regardless of race, religion, gender or culture. This is our voice. I am a musician. This is our place in the global community. There is one language that connects all of humanity and that is music. I am a part of this. My weapon of choice is a pen, paper, voice, guitar and piano.

Artists throughout the span of human history have invoked change and impacted the societies they lived in. Through music, the creative community of musicians, street performers, writers and poets have stood at the podium and sang the words of the silenced. They've told the stories of the marginalized and disenfranchised. This is who and what I aspire to be. 

I can tell you now that it was six years ago that I decided to start contributing to this great worthy cause. I had spent a lifetime wanting so much from a music career that it left me dry. Consequently, I gave up. I did the unthinkable, I quit. Then, through a series of life-changing events, I became inspired again.

With a newfound purpose, I started playing on the street corners to, and for, anyone that needed it. I did it for ordinary people. I decided to start contributing by song to those at the train stations. I began playing in-font of nightclubs, bars, slick hipster lounges that wouldn't let me in. I played every coffee shop, bakery or donut shop that would listen. This reconnection with people was my therapy; it was my redemption as a human being.

Seven years ago, that was my platform. Today, as a three-time GRAMMY winner, my platform is the world stage. 

I owe this mostly to the people on the streets that supported myself and other street performers. There is nothing more important in this lifetime than the soundtrack that accompanies everyday life. I am here with you today using this extraordinary platform of music to speak to the people of the world. One day at a time, in the name of one world, one love, one voice of hope, possibility, and change, I strive to be this for you. 

Please help keep these most precious sacred doors and avenues liberated, equitable and attainable for those that contribute to the human soundtrack: Musicians everywhere in the world.

Profiles In Advocacy: Bobby Rush On The Importance Of Uniting In Support Of Creators' Rights

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Photo: Al Pereira/Getty Images

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CASE Act Passes In The House case-act-passed-house-moves-senate-congress-continues-stand-creators

CASE Act Passed In The House, Moves To Senate As Congress Continues To Stand With Creators

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Three weeks after District Advocate day, legislation that will simplify and streamline copyright enforcement for independent creators moves one step closer to becoming law
Nate Hertweck
Advocacy
Oct 22, 2019 - 4:12 pm

Songwriters, artists and other creators of all levels of financial success scored a big win today in Washington. The Copyright Alternative Small Claims Enforcement Act (CASE Act) has passed in the House of Representatives by the vote of 410-6. The bill lays out a simpler and more cost-effective way for creators to defend their original works against infringement, ensuring basic copyright protection is no longer only afforded to those who can afford costly legal fees associated with Federal court action.

Since its inception, the bill has garnered bipartisan support in Congress as well as a strong backing from the Recording Academy. This month, Academy members across the country participated in District Advocate day and urged lawmakers to vote for this legislation that would eliminate the current unfair advantage against creators.

The #CASEAct would provide creators a streamlined, inexpensive path to fairly resolve small copyright infringement claims outside of court. pic.twitter.com/Qou7AebSxY

— GRAMMY Advocacy (@GRAMMYAdvocacy) September 11, 2019

"The Recording Academy applauds the House for passing the CASE Act today, another victory for music creators almost exactly a year after the Music Modernization Act was signed into law,” said Daryl Friedman, Chief Industry, Government, & Member Relations Officer for the Recording Academy. “We also thank the nearly 2,000 Recording Academy members who lobbied their legislators this month for the CASE Act. We now look to the Senate and the White House to get this bill into law and ensure music makers have access to the copyright protection they deserve". 

Another voice of support raised up over the weekend in an op-ed in the San Francisco Chronicle by GRAMMY-winning singer/songwriter Fantastic Negrito. The Oakland-based blues artist outlined the current problem quite clearly in his piece entitled "Protecting art from infringement."

"Right now, the only way for any creators to fight for their rights is to take the case to federal court. But who has the money for that?" wrote Fantastic Negrito. "The average federal copyright case costs nearly $400,000 to litigate — not to mention the months it takes to pursue these cases, which take us off the road and out of the studio." 

In a @sfchronicle op-ed, GRAMMY winner Fantastic Negrito (@MusicNegrito), details why the #CASEAct is important for ALL music creators. https://t.co/89Av4zJmNp

— GRAMMY Advocacy (@GRAMMYAdvocacy) October 21, 2019

To address this dire need to change the system, the CASE Act will create the Copyright Claims Board at the U.S. Copyright office, establishing a small claims court and capping claim damages to provide better and more efficient copyright infringement protection. Simplifying this process and making copyright enforcement affordable to all creators will, in the end, serve everyone.

"It’s my hope that when the full Congress considers the bill, our elected officials will vote to support the tens of thousands of creators and small businesses who will stand to benefit from a stronger, more reliable copyright system," added Fantastic Negrito.

The CASE Act now moves to the Senate, one big step closer to being signed into law on the president's desk. For anyone who loves music and appreciates the creativity and hard work that goes into creating it, now is the time to contact your Senators and urge them to support all creators by co-sponsoring the act. After all, copyright infringement protection should not be reserved for superstar songwriters.

District Advocate Day 2019: Music Creators Raise Their Voices Across The U.S.

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Kris Allen

Photo: Allen Berezovsky/WireImage via Getty Images

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How Industry Unity & Bipartisanship Brought Change mma-one-year-later-how-industry-unity-and-bipartisanship-brought-needed-change

MMA One Year Later: How Industry Unity And Bipartisanship Brought Needed Change

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A year after the Music Modernization Act was passed, political leaders and musicians celebrate and call for continued unity as music creators’ rights “don’t fall on party lines”
Advocacy
Oct 18, 2019 - 1:35 pm

“Our success in passing this bill was the result of most parts of the music industry – songwriters, publishers, digital music companies and broadcasters – working together on what they agree on, instead of fighting over what they disagree about.” -- Sen. Alexander (R-TN,) Conversations In Advocacy #67

 

One year after the Music Modernization Act was passed, one thing continues to ring true: industry unity and bipartisanship is needed to continue advocating for music creators’ rights and to make laws benefiting them a reality.

Last week, House Judiciary Chairman Jerry Nadler (D-N.Y.) addressed music advocates’ next biggest challenge and said it would be important to see the same unity the MMA brought to bring more needed change, such as establishing a performance right on AM/FM radio, because music creators’ rights "don't tend to fall along party lines."

But these issues don’t just call on politicians to come together, they also call for industry unity.

This week, Sen. Alexander (R-TN,) who has seen first-hand the struggle of songwriters seeking fair compensation, gave credit in the Murfreesboro Post to the different facets of the music community that came together to fight for passage of the MMA:

 “Our success in passing this bill was the result of most parts of the music industry – songwriters, publishers, digital music companies and broadcasters – working together on what they agree on, instead of fighting over what they disagree about,” he said.

And it’s not just political leaders that recognize the power in numbers. In one of his latest interviews, "American Idol" season 8 winner Kris Allen said he is grateful for all the leaders that came together in D.C.

"We've made some strides in that, and thank God for people that were on the Congress floor making those moves," he told the Digital Journal. "There is more to go and more things to happen."

Allen is right, much more needs to happen and it can, if politicians and music professionals continue to leave aside differences and come together for what is right.

How The Music Modernization Act Has Already Benefited Legacy Artists

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Chairman Nadler with the Recording Academy 

Rob Kim/Getty Images for The Recording Academy

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Chairman Nadler On Music Vs. Radio musics-next-fight-terrestrial-radio-according-house-judiciary-chair-jerry-nadler

Music's Next Fight Is With Terrestrial Radio, According To House Judiciary Chair Jerry Nadler

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“We can win this fight,” Nadler said about establishing an AM/FM performance right
Jennifer Velez
Advocacy
Oct 9, 2019 - 2:52 pm

House Judiciary Chairman Jerry Nadler (D-N.Y.) addressed music creators’ next big challenge during his Oct. 3 visit to New York University last week: terrestrial radio and music performance rights.

The chair, who is known for championing the rights of music creators, spoke recently as a part of a new lecture series from NYU Steinhardt’s Business program named after Ralph S. Peer, renowned 1920s talent scout, music engineer, producer and publisher. The discussion was moderated by National Music Publishers’ Association president and CEO David Israelite.

Currently, AM/FM radio is the only music platform that does not pay artists, musicians or studio professionals for their sound recordings. They don’t even need to seek the artists’ permission before playing their music. As musicFIRST explains: “Music services like Spotify, Pandora and Apple Music pay performers for playing their songs, yet there is exactly one music platform in the U.S. (actually, in the entire developed world) where the principle of fair pay for one’s work does not apply: broadcast radio.”

Nadler said negotiations are underway with the National Association of Broadcasters (NAB), which has fought to keep the status of royalties on terrestrial radio the way they are.

“Although they haven’t come to an agreement, we’re still pushing those negotiations,” he said, according to Variety. “But at some point I think we will get some version of [performing rights], because the NAB and their people will see that their interest is less adversely effected than it was previously, and that’s an ongoing process.”

Nadler was one of the key forces behind the passing of the Music Modernization Act last October, which brought comprehensive reforms to music licensing.

The chair made it clear that unity was essential to its passing and that music creators’ rights "don't tend to fall along party lines," Billboard reports.

In terms of performance royalties for AM/FM radio, which was not included in the Music Modernization Act, Nadler is hopeful.

"I certainly hope we can win this fight," he said. "As terrestrial radio becomes relatively less important and streaming becomes more, the question is the extent to which broadcasters will see their interests as less opposed to performance rights. At some point, I do think we will get some [agreement], because the National Association of Broadcasters (NAB) and their people will see that their interests are less adversely affected than previously."

Tell Congress to Support Music, Not Big Radio

Woman Listening To Music

Photo: Bildquelle/ullstein bild via Getty Images

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Rec Acad Announces Behind The Record Advocacy recording-academy-announces-behind-the-record-advocacy-advance-creators-rights-washington

The Recording Academy Announces Behind The Record Advocacy to Advance Creators’ Rights in Washington

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Behind the Record Advocacy is a new virtual advocacy program for Academy members to advance the rights of creators behind the record
Advocacy
Sep 17, 2021 - 2:52 pm

The Recording Academy's Advocacy department recently launched Behind the Record Advocacy, a new virtual advocacy program for Academy members to champion the rights of creators behind the record.

Building off the success of the Academy’s Behind the Record initiative, the Academy is expanding its commitment to give credit where credit is due by meeting virtually with Members of Congress to educate them on the creators behind their favorite records, and discuss the key issues impacting the music community.

The new Advocacy program takes place nationwide on October 14. Academy members can register at the landing page here.

During the virtual meetings, Academy members will focus on legislation currently being considered in Washington that would have a direct impact on America’s recording artists, songwriters, and studio professionals, like the HITS Act and the American Music Fairness Act. Behind the Record Advocacy will fight to ensure that those behind the record can earn fair compensation for their work.

The Recording Academy Advocacy department will organize and schedule the meetings, as well as help educate registrants on the issues, talking points and key messaging. Participants just have to be themselves, discuss their careers, and their livelihoods as music makers, while helping to champion the key legislation that would advance their rights as music makers.

The virtual advocacy day is designed to complement the widely popular Behind the Record movement, taking place the very next day on October 15. The third annual Behind the Record initiative will once again spark an impactful, cultural moment on social media where all creators are recognized for their essential roles in making the music we love.

Registration for Behind the Record Advocacy closes Monday, Sept. 20, so don't delay if you'd like to participate in this one-of-a-kind initiative!

The Recording Academy's Advocacy Team Joins Twitter Spaces: A New Way To Have Discussions That Uplift All Musicians

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Some of the content on this site expresses viewpoints and opinions that are not those of the Recording Academy and its Affiliates. Responsibility for the accuracy of information provided in stories not written by or specifically prepared for the Academy and its Affiliates lies with the story's original source or writer. Content on this site does not reflect an endorsement or recommendation of any artist or music by the Recording Academy and its Affiliates.